November 10th, 2015, marked a significant date for metalcore fans in Houston, Texas. The Devil Wears Prada, a band renowned for their technical proficiency, aggressive sound, and increasingly mature songwriting, brought their Apollo X Tour to the House of Blues. This wasn't just another show; it was a testament to the band's enduring power and a snapshot of a particular moment in their prolific career. This article delves deep into the Houston concert, exploring the setlist, the tour itself, the band's broader history, and the context of their performance within the larger metalcore landscape.
The Devil Wears Prada Setlist at House of Blues, Houston:
Unfortunately, a complete, verified setlist from the House of Blues show on November 10th, 2015, isn't readily available online through easily accessible fan-compiled resources. This highlights a common problem with concert setlist documentation – the reliance on individual fan recollections and the inconsistent archiving of such information. However, by examining setlists from other dates on the Apollo X Tour, we can gain a strong sense of what Houston attendees likely experienced. The Apollo X Tour largely focused on promoting their sixth studio album, *Transit Blues*, but also drew heavily from their extensive back catalog, satisfying fans across their career phases.
A typical Apollo X Tour setlist might have included tracks like:
* From *Transit Blues*: "Danger: Wildman," "Born To Lose," "Sacrifice," "Lines," "Hope to see you again," and the title track, "Transit Blues." These songs, showcasing the band's evolution towards a more melodic yet still intensely heavy sound, were likely highlights of the Houston performance.
* From earlier albums: The set almost certainly included fan favorites from albums like *With Roots Above and Branches Below*, *Dead Throne*, and *Zombie* such as "Assistant to the Regional Manager," "Hey John, What's Your Name Again?", "HTML," "Uncomfortable," "Outnumbered," and "Dez Moines." These tracks represented the band's earlier, more aggressive style, demonstrating their range and satisfying long-time fans.
* Other potential inclusions: Depending on the specific night and the band's whims, other songs from their discography might have been played. The setlist likely varied slightly from night to night, offering a degree of spontaneity and excitement for repeat attendees.
The Devil Wears Prada Setlist at The Ballroom at Warehouse (and other venues):
While precise details for the House of Blues show remain elusive, comparing it to other shows from the Apollo X Tour, or even other tours, helps paint a picture. The Ballroom at Warehouse, for instance, might have hosted the band on a different tour, but the general setlist structure would likely share similarities. The common thread across venues was a blend of *Transit Blues* material and beloved classics, showcasing the band's evolution while also acknowledging their roots. Analyzing these comparative setlists provides a glimpse into the band's typical approach to live performance during this era.
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